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Going to the Chapel

GttC - Nashville Wedding Musicians Going to the Chapel Wedding Musicians is directed by organist and pianist James Weinberg, who works with top talent in Nashville to create made-to-order ensembles for middle Tennessee ceremonies and receptions.

Wednesday, October 24, 2007

Fired by a Country Music Diva

This is the "teaser" for the story as posted on DIGG:

Organist James Weinberg of "Going to the Chapel" in Nashville was slated to play for the wedding of Jo Dee Messina at Scarritt Bennett's Wightman Chapel October 21st, but she showed her true colors when she let him go only 3 days before her wedding for suggesting Ave Maria was too long to be played during the lighting of the unity candle!

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Going to the Chapel - Nashville Wedding Musicians


Tuesday, October 23, 2007

How I Was Fired by Diva Jo Dee Messina

This should be of interest to all JDM fans. In early 2007 I was contracted by a wedding planner to play organ for the October wedding of Jo Dee Messina to her soundman Chris Deffenbaugh. I was excited at the prospect of playing a celebrity wedding, anticipating there could be residual business from the guests. But about two months before the ceremony, the couple switched wedding planners. The mantle passed to Martha Greenwood of Big Events in Franklin. They do mostly corporate parties and such. Well, Martha did not contact me, even though I'd been retained by Jo Dee. I had to contact her, and then began the arduous chore of dragging information out of her. I only obtained a music list a couple weeks before the event. Then about 4 days prior to the wedding, Martha emailed me and said Jo Dee wanted Ave Maria played during the lighting of the unity candle, but only enough to get them to the candle and back in their places. As an experienced musician, I knew that Ave Maria was way too long for that spot (since it only takes about 30 seconds) and that there was no place to gracefully cut the music short. I suggested alternatives and the next thing I hear is that JDM wants me at the rehearsal to discuss the unity candle, to which I agreed. Then the very next day, without any further discussion, Martha sends me a curt email saying I had been replaced!

I was shocked, of course, so I called her. She said I had a rigid attitude and was dictating what I would and would not play. I said I was just making suggestions, but she (or Jo Dee) felt it was easier to just toss me aside like a nobody and get someone they'd worked with before. Naturally I was offended. I wrote to Jo Dee to express my disappointment that she would fire her musician without discussion when I was merely trying to do my job, which includes making recommendations based on 20 years of experience. But I suppose when you get to a certain level of stardom, you gain a high-and-mighty mindset that precludes taking other people's advice. So I really don't expect to hear back from her. Good luck with the marriage, JD! This whole ordeal will probably cause me to steer clear of any "celebrities" in the future, and certainly to dissuade anyone from working with Big Events.

What one thing would I say to Jo Dee if I met her face to face? "It really doesn't matter how many benefit shows you sing if you treat individuals like dirt."

Post Script: I found out that Russell Davis of Wedding Musicians Company was my replacement. He had no problem playing a portion of Ave Maria and told me the wedding was an easy gig. The lack of musical integrity amazes me. But everyone has their price.

Friday, October 06, 2006

Going to the Chapel










NASHVILLE WEDDING ORGANIST


James A. Weinberg, Nashville Wedding Organist


Wedding Music Consultant
and Contractor


nashville wedding organist


James A. Weinberg, BMus, MME


Organist-Choirmaster

Holy Cross Anglican Church

Franklin TN


Instructor, Belmont Academy, Belmont University School of Music


Member of TWESA 2006-07


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Only need a music planner or consultant? I can assemble any combination of singers and instrumentalists--to perform in any style--free as your keyboardist.






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Call 615-268-2296 to inquire into availability for your wedding or just to ask a question.

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Consultation Session
You may choose to meet at the organ to audition pieces from my repertoire (see Fee Schedule for rates), or you may listen to recordings and inform me of your choices by phone or email. Couples frequently elect to have me choose their music. The couple can greatly assist the process prior to the consultation by listening to and identifying the style of music which most appeals to their tastes. Specific composers (like "Bach/Gounod") and periods (like "Romantic") and names of works (such as "Ave Maria") will greatly aid the organist and make the consultation session more productive. See Repertoire below for suggested pieces with sound samples. You may also bring sheet music of favorite songs, tapes, or programs from other weddings when we meet.

If you are having your ceremony in church, use discretion when requesting love songs and other secular music, keeping in mind the sacred nature of the event and place. Your minister or wedding coordinator might offer guidance on this subject as well. Rules defining restrictions vary from church to church, so ultimately these decisions should be made in conjunction with the officiating minister. If your ceremony is at a mansion, country club, garden, etc.—or simply less religious in tone—I'm very open to non-traditional styles of music.

Sheet music for specially requested songs is to be given to the organist at least 2 weeks prior to the ceremony and will remain the property of the bride and groom.

Rehearsal

The walk-through of the bridesmaids' processional, bridal march, and recessional should be at the beginning of the rehearsal, as the organist is generally not needed for the remainder of activities that take place. It would be appreciated if this is communicated to your wedding coordinator.



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Being a Teacher

As a teacher of piano, organ and theory, I specialize in beginning through intermediate level, and accept students of all ages. I also teach most styles, including jazz & pop. Theory and improvisation are text (method) based, since I believe it's crucial to have an intellectual comprehension of the principals of harmony, melody and form. People who can play by ear already do so...may the force be with them! I also do some vocal coaching, but this focuses on interpretation rather than vocal production since I am an instrumentalist.

You really don't know what being an educator is all about until you've tried teaching music to a group of 3 year olds! I've worked for local churches of every major denomination (as well as a synagogue) as an accompanist, organist and choir director. I hold membership in the American Guild of Organists and the Tennessee Weddings and Events Specialists Association. In addition to working at Belmont Academy, I am organist at Holy Cross Anglican Church in Franklin, plus I work full-time for Vanderbilt in the Biochemistry Department. My wife of 34 years, Carol, and I have two grown children, Benjamin and Rebecca, two poodles (Bizet & Isaac) and two cats (Maurice & Pierre). In our "spare time," you can generally find us at home in Brentwood gardening and landscaping.